Miroslava Šternová ( Stanclová; 26 February 1926 – 9 March 1955), known as Miroslava, was a Mexican actress.[ Our word is our weapon: selected writings. By Subcomandante Insurgente Marcos, Juana Ponce de León, José Saramago. Seven Stories Press. p. 244.]
Biography
Born in interwar
Prague as Miroslava Stanclová, her father died and she was adopted by a Jewish doctor, the psychoanalyst Dr. Oskar Leo Stern (1900–1972) who married her mother, Miroslava (née Becka; 1898–1945), and became known as Miroslava Šternová. Dr Stern and his wife had a son, Ivo (1931–2011), the actress's half-brother.
[ Biography, imdb.com. Accessed 28 August 2023.] The family was, at one point, interned in a concentration camp after they fled their native Czechoslovakia in 1939. They sought refuge in various Scandinavian countries before emigrating to Mexico in 1941. Her mother died of cancer four years later.
After winning a national beauty contest, Miroslava began to study acting. She worked steadily in films produced in Mexico, from 1946 to 1955, as well as three Hollywood films during that period. She filmed her last Mexican film, Ensayo de un crimen (The Criminal Life of Archibaldo de la Cruz), in 1955, directed by Luis Buñuel. Stranger on Horseback with Joel McCrea marked her last Hollywood film appearance.
Death
Miroslava died by
suicide in March 1955 by overdosing on sleeping pills, her body found lying outstretched over her bed.
According to Miroslava's friends, she had a portrait of bullfighter Luis Miguel Dominguín in one hand, and they stated that her suicide was due to unrequited love for Dominguín, who had recently married Italian actress Lucia Bosè.
[ Others, such as actress Katy Jurado, claimed that the picture that Miroslava had between her hands was of Mexican comedian Cantinflas and that her unrequited love was for Cantinflas, but her artistic manager Fanny Schatz exchanged the photo for that of the Dominguín.]
In his 1983 autobiography, Mon dernier soupir ( My Last Breath), Buñuel called Miroslava's cremation following her suicide ironic, as in a scene in Ensayo de un crimen, her last film, the protagonist cremates a wax reproduction of her character. Her life is the subject of a short story by Guadalupe Loaeza,[ Relocating identities in Latin American cultures. By Elizabeth Montes Garcés. p. 33.] which was adapted by Alejandro Pelayo for his 1992 Mexican film called Miroslava, starring Arielle Dombasle.[ Mexican cinema: reflections of a society, 1896-2004. By Carl J. Mora. McFarland & Comanpy. p. 210.]
Filmography
Mexico
Documentaries
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El charro inmortal (1955)
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Torero (1956)
Feature films
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Tragic Wedding (1946) as Amparo
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Five Faces of Woman (1947) as Beatriz
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Fly Away, Young Man! (1947) as María
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Juan Charrasqueado (1947) as María
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Nocturne of Love (1948) as Marta Reyes
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Adventure in the Night (1948) as Elena
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Adventures of Casanova (1948) as Cassandra's sister
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Secreto entre mujeres (1948) as Claudia
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La liga de las muchachas (1949) as Marta
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La posesión (1949) as Rosaura
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The Little House (1950) as Lucila del Castillo
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La muerte enamorada (1950) as Tacia, la muerte
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Monte de piedad (1950) as Elena
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Streetwalker (1951) as Elena
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Cárcel de mujeres (1951) as Evangelina Ocampo
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She and I (1951) as Irene Garza
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El puerto de los siete vicios (1951) as Colomba
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Dos caras tiene el destino (1951) as Anita
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The Magnificent Beast (1952) as Meche
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Sueños de gloria (1952) as Elsa
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Música, mujeres y amor (1952) as Elisa Méndez
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The Three Perfect Wives (1953) as Leopoldina
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Más fuerte que el amor (1953) as Bárbara
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El monstruo resucitado (1953) as Nora
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Reportaje (1953) as Nurse
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La visita que no tocó el timbre (1954) as Emma
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Escuela de vagabundos (1954) as Susana o Susi
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Ensayo de un crimen (1955) as Lavinia
United States
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Adventures of Casanova (1948) as Cassandra's sister
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The Brave Bulls (1951) as Linda de Calderón
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Stranger on Horseback (1955) as Amy Lee Bannerman
See also
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Foreign-born artists in Mexico
Sources
External links
